Sam Bleakley – MultiKulti
4th January 2017
The first in our series of guests posts from pro surfer, explorer and author Sam Bleakley takes us on a history trip of surfing in India and explores the vast coastline and all it’s surf potential.
With nearly 1.3 billion people, India is the world’s second most populous nation, has over 7,500km (4,700 miles) of coastline, pretty much every type of landscape under the sun, is usually pepper-hot, and culturally-speaking, has to be one of the most kaleidoscopic places on the planet. Holy cows, Hindu deities, Buddhism, Jainism, Christianity, Islam, Sikhism and industrial post-modernism all have voices here – transient life and the permanently sacred tangle in a symbol war that multiplies on the eye. Pomp and poverty intermingle, sweat and thirst are inevitable, strict religious codes meet free will and stunning scenery, while elephants hold up the traffic. In Hindi, tomorrow and yesterday are the same – cul, and so are hello and goodbye – namaste. This tells you everything you need to know about travel – stay in the moment. And surf travel is a great wave to experience the present of India.
Both the east and west coasts of this vast sub-continent receive consistent swell from the Indian Ocean, as do two well-placed archipelagos: the Andaman Islands and the Lakshadweep Islands. Although still small, the local surf culture is vibrant, and growing fast, with clubs, grassroots surf-brands, young rippers and the Surfing Federation of India (SFI) organising surf instructor courses through the ISA (International Surfing Association). Indian surfers have a lot to celebrate. Turns out that even the word ‘surf’ has a link to India: over time, the mixing of dialects and languages through trade with India gave rise to a unique ‘pidgin’ language. The Portuguese coined the word ‘surf’ in the late 1600s, from the Sanskrit ‘suffe’ meaning ‘the coastline’. This intermingling that cultures, languages and traders shared along the Indian coastline led to a common ground in the form of the beach – where cultural habits had to be re-invented in the name of exchange.
It also turns out that an engraving by John Hassell (copied from a sketch by Charles Gold – who served with the Royal Artillery and was stationed at Madras on India’s southeast coast in the late 1700s) entitled ‘Cattamarans’ and printed in London in 1800 (the original stored at the Australian National Maritime Museum) is currently the earliest known image of stand-up wave riding! One Indian fisherman rides a three-log catamaran, parallel stance, holding a paddle. Two men are further out on a second wave. A ‘masula’, a local surf boat with a crew of six, is heading over the third wave, transporting freight for the ships of the East India Company, awaiting off-shore at the Madras Roads. Although the earliest illustration of a surfboard being paddled was sketched in Hawaii, it was not until the 1830s that illustrations of stand-up rides began to appear from the Pacific. ‘Catamaran’ was the anglicised version of ‘kaIfu-mar-am’, meaning ‘tied logs’, widespread on the Tamil coast of south India and still in use in the surf zone for fishing today.
A good selection of India’s best breaks can be found along the shores of Goa, Karnataka, Kerala and Tamil Nadu, on the southern tip. Most of the spots on the southwest-facing coast are beach breaks, best during the dry season (November to April) when you can usually score clean dawn patrols. Mahé, Varkala and Kovalam (Lighthouse Beach) are three of the better bets on this stretch. The southwest monsoon (May to October) brings bigger swells and southwest winds; a good time to head to the opposite coast, where you’ll find more beach breaks and a decent right point at Manapad.
The huge landmass of Sri Lanka prevents many southwest swells reaching far up the east coast, but southeast swells are regular during the monsoon season, periodically lighting up the region of northeast Tamil Nadu and Andra Pradesh. July and August are usually the best months. About 80km (50 miles) south of the city of Chennai, Mahabalipuram Shore Temple is a sand-bottom right point which peels for 100 yards alongside a 1,400-year-old Vishnu temple. On a solid swell, Mahabalipuram offers powerful, sand-sucking tubes at low tide, and softer waves at high. Beach cottages are available to rent and there’s a friendly nascent local scene. Just north of the industrial city of Visakhapatnam in Andhra Pradesh, on a clean southeast swell, Lawson’s Bay and Mangamari offer very long right points, generally ridden only by local fishermen returning to shore in their wooden boats, loaded with tuna.
Situated 400km (250 miles) off the southwest coast of the mainland, the Lakshadweep Islands are a string of coral atolls which are part of the same undersea mountain range as the Maldives. They’re some of the most exotic and beautiful islands you’ll ever see, with flawless white beaches, swaying palms and giant turtles wallowing just a few yards offshore. The Lakshadweeps have yet to be fully explored by surfers and many new spots are sure to be found, although permits are required for travel here. Dave Rastovich scored an impressive hollow right with filmmaker Taylor Steele when they were in India shooting Castles in the Sky in 2009.
India’s other offshore territory is the Andaman Islands situated on the far side of the Bay of Bengal, northwest of Indonesia. In 1998 photographer John Callahan became the first to document a surf trip here with Sam George (then Surfer editor), Chris Malloy and Jack Johnson, following a gruelling 70 hour dive-boat charter from Phuket, Thailand, riddled with visa hassles, to Port Blair. Callahan had researched all the potential set-ups on British Admiralty nautical charts. The trip appears in Thicker than Water (1999) shot on 16mm by Chris Malloy and Jack Johnson. Johnson at the time was studying Cinematography in California, had brought an acoustic guitar on the boat, and played songs that later appeared in Thicker than Water and his first album Brushfire Fairytales (2001). Callahan has since made two more projects in the Andaman and the Nicobar Islands (strictly off-limits to any non-Indian passport holders). “I’m probably the only human on earth, Indian nationals included, who has been from the top of North Andaman Island to Indira Point at the southern tip of Great Nicobar Island,” says Callahan. Today you can fly direct to the Andamans from India, as tourism has taken a foothold. A small number of charter boats offer trips to Little Andaman Island, home to a number of quality Indo-style reefs. The best of these is Kumari Point, a speedy righthand reef-point which will peel for 200 yards on a big south swell, with sizzling tube sections. But it’s a fickle spot, fully dependent on early season southwest monsoon swells (April or May).
Making a Tropical Christmas Wreath
18th December 2016
Although feeling festive can be a bit more of a challenge in a tropical climate without the traditional Christmas jumper, roaring fire and mulled wine we still like to keep some customs going. This week we turned our hand to floristry making a Tropical Leaf Christmas Wreath. Our HoV in Kerala, Siona, along with some of our wonderful creative guests spent a fun afternoon making a piece to hang above the entrance to the Kerala house.
You will need:
Gardening secateurs or good scissors
Gardening wire cut in to 5cm pieces
A wreath frame
A Christmas playlist (optional)
- First gather your foliage. With a pair of gardening secateurs or a good pair of scissors prune a variety of leaves in different lengths and colours. Thicker more rubbery leaves hold better in this heat as they retain moisture. Thinner more delicate leaves may look pretty but will wilt quickly. Once your basket is full lay out your cuttings in front of you so that you can see what you have.
- Next select 4 or 5 different leaves in varying shapes and colours and layer them in a neat bundle, starting with the widest, longest leaves at the back and the most delicate foliage at the front.
With a length of gardening wire, pinch the ends all together and wrap them tightly.
- Once all of your bundles are done, we used around 20 for a small frame, start to weave them in to the wreath. Work in a clockwise motion so that all the foliage goes in the same direction. Secure each set of leaves to the wreath frame with wire, making sure that all fastenings are
hidden by foliage.
- Hang your wreath in your chosen place. These look great on doors and over entrances. Once hung and secure fill in any gaps with single pieces of foliage remembering to work in the same clockwise direction. Spray with a water spray every day to keep it fresh.
Stuff We Like – A Million Waves
10th December 2016
A Million Waves is a portrait of 19-year-old surfer Kadiatu Kamara, the only woman surfer at Bureh Beach, south of Freetown, Sierra Leone. Beautiful work from Daniel Ali and Louis Leeson.
Soul People – Hayley
4th December 2016
Name: Hayley Mia
What is your role at Soul&Surf? I teach people how to bend and how to breathe 🙂
How did you come to be at Soul & Surf?
One of my dear friends shared a post with me on Facebook a few years back that Soul and Surf were looking for a Yoga teacher. I initially only came for 2 months but just like most of us, couldn’t wait to come back again.
What does Soul mean to you?
Soul to me is the part of us that is our truest form, its the person we aspire to be, its our passion, our warmth, our vitality our inspiration and our emotion. Its the you that’s always smiling from within even when you’re having a tough day.
What inspires you about your work?
Everything! I teach simply because it is the most satisfying, heartwarming job to connect with your students and, ultimately help them to lead a healthy, positive, fulfilled life.
What’s next for you?
I keep asking myself that question at the moment and i’m yet to come up with an answer, as soon as I have i’ll let you know 🙂
Stuff We Like – Beyond the Break
2nd December 2016
The story of a group of pro surfers who have left the international surfing circuit in order to grow organic vegetables on Ireland’s Wild Atlantic Way. Mat, Fergal, Mitch and all the crew are creating a sustainable community that focuses on taking care of the earth, sharing the crops they grow and surfing really really good waves.
Great work from the Perennial Plate